One of the major projects for our summer in Aspen (where Frances is a composition fellow) is to work…
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For the stage
As always, it was a pleasure to collaborate with the incomparable, Sky Macklay, on a short opera–the second in…
This spring, at Opera on Tap’s “Her Kind” Cabaret and at American Opera Projects’ “First Glimpse” concert, Frances Pollock…
As our graduate thesis, Mike von der Nahmer and I wrote a first draft of a musical/opera based on…
Jennifer Goode Cooper performed “Only Job,” an aria from the opera, Transference, (libretto by Emily Roller and Frances Pollock,…
Composer, Peter Hodgson, lyricist, Kathleen Wrinn, and I completed a highly productive residency in the beautiful Catskills, where we…
Matthew and I received a commission to write this piece last winter, and we had a draft done by…
Bloody Mary Music by Kay Clark Libretto by Emily Roller Three troubled teenage girls, strangers to one another, are…
Why We Bleed Composer – Sky Macklay Librettist – Emily Roller Synopsis: “Why We Bleed” is a dramatic exploration…
In grad school, composer Jonathan Fadner and I teamed up to turn one of my old short stories…